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| Designed by Jakob Fischer, Risky Biscuit is a hand display font family. This typeface has two styles and was published by Pizzadude.dk. |
Risky Biscuit is wants to go its own ways. It is never too much or too little - just perfect in its awkwardness!
You may think surfer, skater, DJ or hand craft - that’s okay, because Risky Biscuit is all that and even more!
Comes with contextual alternates - meaning 5 different letters AND small caps for each vowel…and of course multilingual support!
Designed by Jeff Levine, Weekend Date JNL is an art nouveau and display serif font family. This typeface has two styles and was published by Jeff Levine Fonts.
Sheet music from 1910 with another one of those ridiculous thirteen word titles (“I Love My Steady but I’m Crazy for My “Once-in-a-While’”) had the lengthy verbiage hand lettered in a bold serif typeface with slightly spurred serifs.
This has been recreated in a digital typeface with a much shorter name: Weekend Date JNL, which is available in both regular and oblique versions.
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| Designed by Alejandro Paul, Antica is a display serif and serif font family. This typeface has eighteen styles and was published by Sudtipos. |
Antica has sharp triangular serifs, and in 8 weights with true italics, it forms a family that stylistically finds its origins in Latin styles of the nineteenth century. The font incorporates additional swashes, small caps and stylish alternates that advance the aesthetic from its roots and make it appropriate for modern design.
Commonly named ‘Latin types’ did not vary in weight, but we decided to create Antica with a range that goes from thin to black and we also added extra curlicues to the letterforms. Antica borrows from the versatility and freedom granted to type founders of the nineteenth century – a time when the meteoric growth of mass-produced consumer goods led to an increased demand for publicity that needed fresh, attention grabbing typefaces. And as an homage to these Latin types we designed Antica to function well with an array of projects from stylized labels and formal editorial design requiring small type sizes to large-scale posters and billboards.
The Antica family supports a wide variety of Latin alphabet-based languages.
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| Download Antica Fonts Family From Sudtipos |
Designed by David Kerkhoff, Forgotten Dream is a brush display and hand display font family. This typeface has two styles and was published by Hanoded.
I had a really weird dream the other night, but when I woke up, I had forgotten it. I had the feeling it was about something important, but I cannot, for the life of me, recall what I dreamt about!
Forgotten Dream is a horror brush font, which I made with a brushy brush and Chinese ink. It looks like something right out of a nightmare, but you can also use it for something important. Like a ‘keep your distance’ poster, or a sign about the importance of washing ones hands.
But then again, if you play in a death metal band, then Forgotten Dream font could be exactly what you need for your album cover!
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| Designed by Pavel Korzhenko, Rashfield is a display serif, retro and sans serif font family. This typeface has ten styles and was published by Vintage Voyage Design. |
Rashfield is a soft serif type family in 5 weights and italics. Inspired by classical Windsor mood in Woody Allen movie titles, with outward bent h, m, n and a lot of modern alternates. Softly character with a hint of retro feeling. Rashfield has a lots of stylistic alternates that makes it very playful in various uses like logos, prints, branding, web design, packaging and more. Use it to create short powerful phrases and headlines and also use it in longer text like paragraphs and block texts. Perfect for modern projects with a little retro mood feel.
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| Download Rashfield Fonts Family From Vintage Voyage Design |
Designed by Jeff Levine, Township JNL is a western and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts.
Township JNL is based on French Antique Condensed [a classic wood design] and is available in both regular and oblique versions.
Reminiscent of Old West wanted posters and circus broadsides, this ultra-condensed typeface allows for more word copy to fit into a single line’s space.
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| Designed by Jakob Fischer, Greenazlyed is a hand display and kids font family. This typeface has three styles and was published by Pizzadude.dk. |
Greenalyzed is a made up word is a font that could set your mind to something handmade and eco friendly. The letters are clumsy and childish naive, but really fun and legible. Comes in 3 different versions: Regular, Rough and Stitch. The Stitch version is good as a top or shadow layer. I also added multilingual support and “jumpy” ligature substitutions for the most common double letters.
Enjoy!
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| Kooka is a multiple classification font family. This typeface has thirty-one styles and was published by Creative Media Lab. |
Introducing Kooka, a Stylish and fun groovy family.
Kooka inspired by groovy retro style, this unique and Cool vintage display family is perfect to combine with any sans serif font.
If you’re looking for a unique and modern vintage font for your next project, Kooka is the right choice! Thanks to its unique characters.
Kooka also includes a Variable style as well as multilingual support, numbers, and currency symbols.
don’t forget check our Portfolio page for more great font! thank you
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| Download Kooka Fonts Family From Creative Media Lab |
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| Designed by Jeff Levine, Local Printer JNL is a display slab and typewriter font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions.
Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.
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| Download Local Printer JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Jeff Levine, Fruit Juice JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.
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| Download Fruit Juice JNL Fonts Family From Jeff Levine Fonts |
Designed by Hendry Juanda, Garnite is a script font published by Letterhend Studio.
Introducing, Garnite- Handwritten Script Typeface. The natural hand writing feel make this font makes it stands out. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Jeff Levine, Eccentric Wood Type JNL is a display slab, western and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An online display of pages from a book on wood type fonts provided an example of a bold, eccentric slab serif design with unusual curves and letter shapes.
This font’s eccentricities became the basis for its name, Eccentric Wood Type JNL – which is available in both regular and oblique versions.
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| Download Eccentric Wood Type JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Jeff Levine, Deco Romance JNL is an art deco and sans serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
From the cover of the 1932 sheet music for “A Great Big Bunch of You” comes a hand-lettered Art Deco type design; boldly hand lettered with contrasting angled lines and varying character widths.
Deco Romance JNL is available in both regular and oblique versions.
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| Designed by Connary Fagen, Hexaframe CF is a display font family. This typeface has fourteen styles and was published by Connary Fagen Type Design. |
Hexaframe CF evokes the awe and potential of of heavy machinery and robotics. Clad in tough polygons and rounded edges, Hexaframe is a perfect typeface for corporate identity, STEM toys, and user interface design.
All typefaces from Connary Fagen include free updates, including new features, and free technical support.
Designed by Aga Silva, Skarpa Condensed is a display sans and sans serif font family. This typeface has twelve styles and was published by Aga Silva Fonts.
This is condensed and more visually compact version of Skarpa font. All kerning has been thoroughly revised and manually adjusted.
The font is based on geometric forms devoid of excessive flourishing.
Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen. Lighter specimens would look good in leaflet & magazine print (see presented posters).
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| Designed by Andrea Tartarelli, Malik is a sans serif font family. This typeface has eighteen styles and was published by Zetafonts. |
Taking its name from the arabic word for “king”, Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It’s something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.
Malik also means “owner”, and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes.
Malik is the typeface for everyone who wants to design like a king…or like he doesn’t care who the king is!
Designed by Jakob Fischer, Guideline is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Here is a Guideline for you: Use this font if you want fun, unpredictable, legible and handmade text with influences from both comics and graffiti. Each letter has 5 different versions, and they automatically cycles as you type!
Designed by Slobodan Jelesijevic, Jumbox is a display sans font family. This typeface has five styles and was published by Tour de Force Font Foundry.
Jumbox is display family containing five weights that are actually layers. Combining them with different colours, Jumbox will bring strong sense of graphicism in your titles, product names, signs, billboards, packaging, web page headings – for wide range of uses. Comes with pack of ligatures.
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| Designed by Hendry Juanda, Laterlocks is a serif font published by Letterhend Studio. |
Introducing, Laterlocks, A sophisticated ligature serif from us. This typeface has been made carefully to make sure its premium quality and luxury feel. The ligatures makes this typeface unique and stands out rather than the regular serif font, very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Please read the READ ME file in order to activate the features.
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by John Roshell, Dynamic Duo is a comic and hand display font family. This typeface has twenty-two styles and was published by Comicraft. |
Batman & Robin! Thelma & Louise! Butch Cassidy & The Sundance Kid! Hip Flask & Farrell! Frodo & Sam! Sonny & Cher! Calvin & Hobbes! Bert & Ernie! Dynamic Duos exist in all forms of literature & entertainment, and now Comicraft is proud to introduce its latest alliterative offering, DYNAMIC DUO!
A buddy movie in font form, Dynamic Duo is a team-up of Solid and Open weights who can’t decide who is the lead and who is the sidekick! In the fine tradition of all two-in-ones and company-wide comic crossovers, first they fight and then they team up — to take your design on the biggest, loudest, most intense adventure of All Time.
Dynamic Duo features comic-book style “hook” caps and alternate uppercase letters which automatically cycle for a more natural, hand-drawn appearance. Solid and Open weights can be layered to create chromatic effects, and matching variable fonts allow near-infinite control of weight and slant. Each weight contains 478 glyphs and supports 220 languages.
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| Designed by Aga Silva, Skarpa is an art deco, display sans and sans serif font family. This typeface has fourteen styles and was published by Aga Silva Fonts. |
This is long awaited thorough revision to Skarpa family. The revision has inculded both another look at letter shapes as well as kerning and metrics of the files.
The shapes encapsulated in this font stem from old time architectural drawings hand executed at drawing board with tracing paper and rapidographs. Think of lettering stencils sliding across the tracing paper and craftily exectuted drawing descriptions.
The font is based on geometric forms devoid of excessive flourishing.
Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen.
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| Designed by Hendry Juanda, Baille Simpson is a modern calligraphy font published by Letterhend Studio. |
Introducing, Baille Simpson. A dry brush typeface with natural hand writing feel and feminine look. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- umbers and punctuation
- Ligatures and alternates
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Download Baille Simpson Fonts Family From Letterhend Studio |